<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2178-5201</journal-id>
<journal-title><![CDATA[Acta Scientiarum. Education]]></journal-title>
<abbrev-journal-title><![CDATA[Acta Educ.]]></abbrev-journal-title>
<issn>2178-5201</issn>
<publisher>
<publisher-name><![CDATA[Editora da Universidade Estadual de Maringá - EDUEM]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2178-52012018000400006</article-id>
<article-id pub-id-type="doi">10.4025/actascieduc.v40i4.40985</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[De projetos da ci&#234;ncia &#224; fabrica&#231;&#227;o em s&#233;rie: educa&#231;&#227;o do corpo, biopol&#237;tica e eugenia em Wakolda]]></article-title>
<article-title xml:lang="en"><![CDATA[About projects of science and mass production: corporal education, biopolitics and eugenesia in Wakolda]]></article-title>
<article-title xml:lang="es"><![CDATA[Sobre proyectos de la ciencia y la fabricaci&#243;n en serio: educaci&#243;n del cuerpo, biopol&#237;tica y eugenesia en Wakolda]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Galak]]></surname>
<given-names><![CDATA[Eduardo Lautaro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gomes]]></surname>
<given-names><![CDATA[Ivan Marcelo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zoboli]]></surname>
<given-names><![CDATA[Fabio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de La Plata  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal do Espírito Santo  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade Federal de Sergipe  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>10</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>10</month>
<year>2018</year>
</pub-date>
<volume>40</volume>
<numero>4</numero>
<fpage>e40985</fpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2178-52012018000400006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2178-52012018000400006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2178-52012018000400006&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO.  O filme Wakolda (2013) da cineasta argentina Luc&#237;a Puenzo toma emprestado o nome de uma boneca que representa a passagem da singularidade ao corpo projetado, fabricado e montado para ser produzido em s&#233;rie, servindo como met&#225;fora do sonho/pesadelo da ci&#234;ncia moderna em criar corpos perfeitos atrav&#233;s do aperfei&#231;oamento da ra&#231;a humana. A narrativa f&#237;lmica de Puenzo &#233; uma mistura de hist&#243;ria com car&#225;ter biogr&#225;fico em meio a contextos fict&#237;cios na medida em que trata da passagem do refugiado m&#233;dico nazista alem&#227;o Josef Mengele pela Argentina. Wakolda representa a tens&#227;o entre diferen&#231;a e homogeneiza&#231;&#227;o dos corpos ao propor a fabrica&#231;&#227;o, via o emparelhamento gen&#233;tico, de uma melhor ra&#231;a. O texto tem como objetivo tencionar a biopol&#237;tica e a educa&#231;&#227;o dos corpos sob o vi&#233;s do conhecimento m&#233;dico eug&#234;nico, partindo do pressuposto de que este denota um corpo submetido a uma tecnocracia do saber cient&#237;fico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT.  The film Wakolda (2013), directed by the Argentinean filmmaker Luc&#237;a Puenzo, borrows its name to a doll, which represents the passage of the singularity to a projected body, manufactured and assembled for a production in series, serving as a metaphor for the dream/nightmare of the modern science of creating perfect bodies through the improvement of the human race. The film narrative of Puenzo is a mixture of fictional and historical biography about the life in Argentina as a refugee of the German Nazi doctor Josef Menguele. Wakolda represents the tension between difference and homogenization of the bodies when proposing the manufacture, through the genetic pairing, of an improved race. The aim of the text is to analyze the biopolitics and the education of bodies based on eugenic medical knowledge, starting from the assumption that it shows a body subjected to a technocracy of scientific knowledge.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN.  El film Wakolda (2013) de la cineasta argentina Luc&#237;a Puenzo toma prestado el nombre de una mu&#241;eca que representa el pasaje de la singularidad al objeto proyectado, fabricado y montado para ser producido en serie, sirviendo como met&#225;fora del sue&#241;o/pesadilla de la ciencia moderna de crear cuerpos perfectos a trav&#233;s del perfeccionamiento de la raza humana. La narrativa f&#237;lmica de Puenzo es una mezcla de historia con car&#225;cter biogr&#225;fico en medio de contextos ficticios, abordando el paso por Argentina como refugiado del m&#233;dico nazi alem&#225;n Josef Menguele. Wakolda representa la tensi&#243;n entre diferencia y homogeneizaci&#243;n de los cuerpos al proponer la fabricaci&#243;n, a trav&#233;s del emparejamiento gen&#233;tico, de una raza mejor. El texto tiene como objetivo tensionar la biopol&#237;tica y la educaci&#243;n de los cuerpos a partir del conocimiento m&#233;dico eugen&#233;sico, partiendo del presupuesto de que &#233;ste denota un cuerpo sometido a la tecnocracia del saber cient&#237;fico.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[corpo]]></kwd>
<kwd lng="pt"><![CDATA[biopolítica]]></kwd>
<kwd lng="pt"><![CDATA[eugenia]]></kwd>
<kwd lng="pt"><![CDATA[filme Wakolda]]></kwd>
<kwd lng="en"><![CDATA[body]]></kwd>
<kwd lng="en"><![CDATA[biopolitics eugenics]]></kwd>
<kwd lng="en"><![CDATA[film Wakolda]]></kwd>
<kwd lng="es"><![CDATA[cuerpo]]></kwd>
<kwd lng="es"><![CDATA[biopolítica]]></kwd>
<kwd lng="es"><![CDATA[Eugenesia]]></kwd>
<kwd lng="es"><![CDATA[film Wakolda]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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