<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2178-5201</journal-id>
<journal-title><![CDATA[Acta Scientiarum. Education]]></journal-title>
<abbrev-journal-title><![CDATA[Acta Educ.]]></abbrev-journal-title>
<issn>2178-5201</issn>
<publisher>
<publisher-name><![CDATA[Editora da Universidade Estadual de Maringá - EDUEM]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2178-52012023000100105</article-id>
<article-id pub-id-type="doi">10.4025/actascieduc.v45i1.58397</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A função social da arte e os desdobramentos na formação estética do ser social]]></article-title>
<article-title xml:lang="es"><![CDATA[La función social del arte y los desarrollos en la formación estética del ser social]]></article-title>
<article-title xml:lang="en"><![CDATA[The social function of the arts and its unfoldings in the aesthetic constitution of the social being]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Araujo]]></surname>
<given-names><![CDATA[Adéle Cristina Braga]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rabelo]]></surname>
<given-names><![CDATA[Josefa Jackline]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Federal de Educação, Ciência e Tecnologia do Ceará  ]]></institution>
<addr-line><![CDATA[Quixadá Ceará]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>45</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2178-52012023000100105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2178-52012023000100105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2178-52012023000100105&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO. O presente artigo tem como objetivo situar a função social da arte no entorno da formação estética do ser social. Trata-se de uma pesquisa teórico-bibliográfica, na compreensão do legado estético lukacsiano. Destaca-se como fonte principal para o desenvolvimento do estudo a obra sistematizada por Georg Lukács: Estética: la peculiaridade de lo estético. O complexo da arte proporciona, nem que seja por um pequeno instante, uma elevação que ocasiona um encontro do indivíduo com o gênero humano. A discussão pauta-se sobre o processo formativo da arte. Apresenta-se como categoria principal de análise a catarse, com base na compreensão de que é na vida cotidiana que se extraem as sensações de captação dos seres sociais no mundo. É no desenvolvimento dos sentidos humanos que os seres sociais se fazem estéticos e se engrandecem enquanto gênero humano. Com efeito, de modo sucinto, as potencialidades de criar e fruir arte sob a lógica da sociabilidade capitalista são entendidas como dispersas, uma vez que o estado de exploração recusa a elevação de todos à riqueza espiritual e material da sociedade. Considera-se, ademais, a necessidade de conjeturar outra forma social que possibilite, ao conjunto da humanidade, condições humano-objetivas capazes de proporcionar momentos catárticos genuínos ao conjunto da humanidade.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN. El presente artículo intenta situar la función social del arte en torno a la formación estética del ser social. Se trata de una investigación teórica y bibliográfica, en la comprensión del legado estético lukacsiano. Destaca como fuente principal al desarrollo del estudio la obra sistematizada por Georg Lukács: Estética: la peculiaridad de lo estético. El complejo del arte proporciona, aunque sea por un momento, una elevación que lleva al encuentro del individuo con el género humano. La discusión se basa en el proceso formativo del arte. La catarsis se presenta como la principal categoría de análisis y parte del entendimiento de que es en la vida cotidiana donde se extraen las sensaciones de captación de los seres sociales en el mundo. En el desarrollo de los sentidos humanos es donde los seres sociales se vuelven estéticos y se potencian como género humano. En efecto, de manera sucinta, las potencialidades de crear y disfrutar del arte bajo la lógica de la sociabilidad capitalista se entienden como dispersas, puesto que el estado de explotación rechaza la elevación de todos a la riqueza espiritual y material de la sociedad. También se plantea la necesidad de idear otra forma social que haga posible, para toda la humanidad, unas condiciones humano-objetivas capaces de proporcionar auténticos momentos catárticos para toda la humanidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT. The purpose of this article is to situate the social function of the arts in the aesthetic construction of the social being. It is theoretical-bibliographic research in light of the Lukacsian aesthetical legacy. The main source used for the development of this study is the systematized work of Georg Lukács: Aesthetics: the specificity of the aesthetic. The complexity of the art provides, albeit for a brief moment, an elevation that leads to an encounter between the individual and humankind. This discussion is based on the formative process of the arts. Catharsis is presented as the main category of analysis, based on the understanding that it is in everyday life that the sensations of capturing social beings in the world are extracted. It is in the development of human senses that social beings become aesthetic and grow as a human race. Indeed, briefly, the potentialities of creating and enjoying art under the logic of capitalist sociability are understood as dispersed, since the state of exploitation refuses to elevate everyone to the spiritual and material wealth of society. Moreover, the need to conjecture another social form that makes human-objective conditions capable of providing genuine cathartic moments possible to the whole of humanity is considered.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[catarse]]></kwd>
<kwd lng="pt"><![CDATA[educação estética]]></kwd>
<kwd lng="pt"><![CDATA[gênero humano]]></kwd>
<kwd lng="es"><![CDATA[catarsis]]></kwd>
<kwd lng="es"><![CDATA[educación estética]]></kwd>
<kwd lng="es"><![CDATA[género humano]]></kwd>
<kwd lng="en"><![CDATA[catharsis]]></kwd>
<kwd lng="en"><![CDATA[aesthetic education]]></kwd>
<kwd lng="en"><![CDATA[humankind]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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