<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2238-0094</journal-id>
<journal-title><![CDATA[Revista Brasileira de História da Educação]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. Bras. Hist. Educ]]></abbrev-journal-title>
<issn>2238-0094</issn>
<publisher>
<publisher-name><![CDATA[Sociedade Brasileira de História da Educação]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2238-00942021000100104</article-id>
<article-id pub-id-type="doi">10.4025/rbhe.v21.2021.e144</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A mulher soldado nos palcos (São João Del-Rei, Minas Gerais, 1916): uma opereta em cena educando sensibilidades]]></article-title>
<article-title xml:lang="es"><![CDATA[A mulher soldado en los escenarios (São João Del-Rei, Minas Gerais, 1916): una opereta en escena educando sensibilidades]]></article-title>
<article-title xml:lang="en"><![CDATA[A mulher soldado on stage (São João Del Rei, Minas Gerais, 1916): an operet in scene educating sensibilities]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sá]]></surname>
<given-names><![CDATA[Carolina Mafra de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Galvão]]></surname>
<given-names><![CDATA[Ana Maria de Oliveira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Agreste de Pernambuco  ]]></institution>
<addr-line><![CDATA[Garanhuns PE]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal de Minas Gerais  ]]></institution>
<addr-line><![CDATA[Belo Horizonte MG]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>21</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2238-00942021000100104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2238-00942021000100104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2238-00942021000100104&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: As apresentações da opereta A mulher soldado em São João del-Rei - MG (1916) foram muito apreciadas pelo público e pela imprensa e se configuraram como performances que educaram sensibilidades. Este artigo analisa o manuscrito da peça, jornais locais e uma peça são-joanense do período, fontes encontradas no acervo que pertencia ao grupo amador responsável pelos espetáculos. Buscamos compreendera educação das sensibilidades que teria ocorrido durante essas encenações. Apoiadas nos estudos sobre a história da educação das sensibilidades, identificamos que os espetáculos ao mesmo tempo em que reforçavam sensibilidades ligadas à dominação masculina, impostas por uma elite dominante, davam margem para que pessoas simpáticas à luta feminista experimentassem novas sensibilidades.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Las presentaciones de la opereta A mulher soldado en São João del-Rei (1916) fueron muy apreciadas por el público y por la prensa y se configuraron como performances que educaron sensibilidades. Analizamos el manuscrito de lapieza, periódicos locales y una pieza sanjoanense del período, fuentes encontradas en el acervo que pertenecía al grupo responsable por los espectáculos. Buscamos comprender la educación de las sensibilidades que podrían Haber tenido lugar en esas presentaciones. Apoyadas en los estudios sobre la historia de la educación de las sensibilidades, identificamos que los espectáculos al mismo tiempo que reforzaban sensibilidades vinculadas a la dominación masculina, daban margen para que las personas simpatizantes conla lucha feminista experimentas en nuevas sensibilidades.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The presentations of the operetta A mulher soldado in São João del-Rei - MG (1916) were highly appreciated by the public and the press and were configured as performances that educated sensibilities. This article analyzes the play's manuscript, local newspapers and a local author play, from sources found in the collection that belonged to the amateur group responsible for the shows. Weseek to understand the education of the sensibilities that would have occurred during these performances. Supported by studies of the History of Education of the Sensibilities, we identified that the shows, while reinforcing sensibilities linked to male domination, imposed by a dominant elite, allowed people sympathetic to the feminist struggle to experience new sensibilities.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[história da educação das sensibilidades]]></kwd>
<kwd lng="pt"><![CDATA[gênero]]></kwd>
<kwd lng="pt"><![CDATA[história dos espetáculos]]></kwd>
<kwd lng="es"><![CDATA[historia de la educación de las sensibilidades]]></kwd>
<kwd lng="es"><![CDATA[género]]></kwd>
<kwd lng="es"><![CDATA[historia de los espectáculos]]></kwd>
<kwd lng="en"><![CDATA[history of education of the sensibilities]]></kwd>
<kwd lng="en"><![CDATA[gender]]></kwd>
<kwd lng="en"><![CDATA[history of spectacles]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Adão]]></surname>
<given-names><![CDATA[K. S.]]></given-names>
</name>
<name>
<surname><![CDATA[Lima]]></surname>
<given-names><![CDATA[A. W.]]></given-names>
</name>
<name>
<surname><![CDATA[Campos]]></surname>
<given-names><![CDATA[A. E. D.]]></given-names>
</name>
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[T. J. B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O futebol em São João del-Rei: apontamentos acerca de sua história (1907 a 1944).]]></article-title>
<source><![CDATA[Anais do 11º Congresso Nacional de História do Esporte, Educação Física, Lazer e Dança]]></source>
<year>2009</year>
<page-range>11-26</page-range><publisher-loc><![CDATA[Viçosa, MG ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<collab>Brasil. Câmara dos Deputados</collab>
<article-title xml:lang=""><![CDATA[Lei nº 3.071, de 1 de janeiro de 1916. Código Civil dos Estados Unidos do Brasil.]]></article-title>
<source><![CDATA[Diário Oficial da União]]></source>
<year>1916</year>
<page-range>133</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carlson]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Teorias do teatro: estudo histórico-crítico, dos gregos à atualidade]]></source>
<year>1997</year>
<publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Fundação Editora da UNESP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cortês]]></surname>
<given-names><![CDATA[I. R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Direito: a trilha legislativa da mulher.]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pinsky]]></surname>
<given-names><![CDATA[C. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Pedro]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nova história das mulheres no Brasil]]></source>
<year>2013</year>
<page-range>260-85</page-range><publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Contexto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Couto]]></surname>
<given-names><![CDATA[E. F.]]></given-names>
</name>
<name>
<surname><![CDATA[Barros]]></surname>
<given-names><![CDATA[A. A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Futebol e modernidade em São João del-Rei/MG: o caso do Athletic Club (1909-1916).]]></article-title>
<source><![CDATA[In: Anais do 26º Simpósio Nacional de História - ANPUH]]></source>
<year>2011</year>
<page-range>1-13</page-range><publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Flores]]></surname>
<given-names><![CDATA[F. T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nem só bem-feitas, nem tão melodramáticas: The children&#8217;s hour e the little foxes, de Lillian Hellman]]></source>
<year>2008</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Universidade de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guerra]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pequena história de teatro, circo, música e variedades em São João del- Rei (1717-1967).]]></source>
<year>1968</year>
<publisher-loc><![CDATA[Juiz de Fora, MG ]]></publisher-loc>
<publisher-name><![CDATA[Esdeva]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guilarduci]]></surname>
<given-names><![CDATA[C. J.]]></given-names>
</name>
</person-group>
<source><![CDATA[A cidade de São João del-Rei nas entrelinhas dos manuscritos do teatro de revista na Belle Époque: um testemunho da história cultural são-joanense]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Centro de Letras e Artes, Universidade Federal do Estado do Rio de Janeiro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Houaiss]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Villar]]></surname>
<given-names><![CDATA[M. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dicionário Houaiss de língua portuguesa.]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Rio de Janeiro, RJ ]]></publisher-loc>
<publisher-name><![CDATA[Objetiva]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lima]]></surname>
<given-names><![CDATA[M. T. G. A.]]></given-names>
</name>
</person-group>
<source><![CDATA[O teatro amador nos álbuns de Antônio Guerra]]></source>
<year>2006</year>
<publisher-loc><![CDATA[São João del-Rei ]]></publisher-loc>
<publisher-name><![CDATA[Departamento de Letras Artes e Cultura, Universidade Federal de São João del-Rei]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mccann]]></surname>
<given-names><![CDATA[F. D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Soldados da pátria: história do Exército Brasileiro]]></source>
<year>2009</year>
<publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[M. A. T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Educação dos sentidos e das sensibilidades: entre a moda acadêmica e a possibilidade de renovação no âmbito das pesquisas em História da Educação.]]></article-title>
<source><![CDATA[História da Educação]]></source>
<year>2018</year>
<volume>22</volume>
<numero>55</numero>
<issue>55</issue>
<page-range>116-33</page-range></nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pesavento]]></surname>
<given-names><![CDATA[S. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sensibilidades: escrita e leitura da alma]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pesavento]]></surname>
<given-names><![CDATA[S. J.]]></given-names>
</name>
<name>
<surname><![CDATA[Langue]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Sensibilidades na história: memórias singulares e identidades sociais]]></source>
<year>2007</year>
<page-range>9-21</page-range><publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
<publisher-name><![CDATA[Editora da UFRGS]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pineau]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Historiografia educativa sobre estéticas e sensibilidades na América Latina: um balanço (que se tem conhecimento) incompleto.]]></article-title>
<source><![CDATA[Revista Brasileira De História Da Educação]]></source>
<year>2018</year>
<volume>18</volume>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Prado]]></surname>
<given-names><![CDATA[M. L.]]></given-names>
</name>
<name>
<surname><![CDATA[Franco]]></surname>
<given-names><![CDATA[S. S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultura e política: participação feminina no debate público brasileiro.]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pinsky]]></surname>
<given-names><![CDATA[C. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Pedro]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nova história das mulheres no Brasil]]></source>
<year>2013</year>
<page-range>218-37</page-range><publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Contexto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rocha Junior]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Arquivos teatrais: letra e voz.]]></article-title>
<source><![CDATA[Anais do 4º Congresso de Pesquisa e Pós-Graduação em Artes Cênicas (Memória ABRACE X)]]></source>
<year>2006</year>
<page-range>71-2</page-range><publisher-loc><![CDATA[Rio de Janeiro, RJ ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sá]]></surname>
<given-names><![CDATA[C. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Do convento ao quartel: a educação das sensibilidades nos espetáculos teatrais realizados pelo Club Dramático Arthur Azevedo, em São João del Rei MG (1915-1916)]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Universidade Federal de Minas Gerais]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sadi]]></surname>
<given-names><![CDATA[R. S.]]></given-names>
</name>
<name>
<surname><![CDATA[Adão]]></surname>
<given-names><![CDATA[K. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Lazer em São João del-Rei: aspectos históricos, conceituais e políticos]]></source>
<year>2011</year>
<publisher-loc><![CDATA[São João del-Rei, MG ]]></publisher-loc>
<publisher-name><![CDATA[Ed. UFSJ]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Soihet]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Movimento de mulheres: a conquista do espaço público]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pinsky]]></surname>
<given-names><![CDATA[C. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Pedro]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nova história das mulheres no Brasil]]></source>
<year>2013</year>
<page-range>218-37</page-range><publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Contexto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sohn]]></surname>
<given-names><![CDATA[A-M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O corpo sexuado.]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Corbin]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Courtine]]></surname>
<given-names><![CDATA[J-J.]]></given-names>
</name>
<name>
<surname><![CDATA[Vigarello]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[História do corpo: as mutações do olhar: o século XX]]></source>
<year>2008</year>
<page-range>. 109-54</page-range><publisher-loc><![CDATA[Petrópolis, RJ ]]></publisher-loc>
<publisher-name><![CDATA[Vozes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Álbum 13]]></article-title>
<source><![CDATA[O Theatro]]></source>
<year>1916</year>
<page-range>28</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vapereau]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dictionnaire universel des contemporains: contenant toutes les personnes notables de la France et des pays étrangers.]]></source>
<year>1893</year>
<publisher-loc><![CDATA[Paris, FR ]]></publisher-loc>
<publisher-name><![CDATA[Ed. L. Hachette.]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Drama em cena]]></source>
<year>2010</year>
<publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Cosac Naify]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolff]]></surname>
<given-names><![CDATA[C. S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Em armas: Amazonas, soldadas, sertanejas, guerrilheiras]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pinsky]]></surname>
<given-names><![CDATA[C. B.]]></given-names>
</name>
<name>
<surname><![CDATA[Pedro]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Nova história das mulheres no Brasil]]></source>
<year>2013</year>
<page-range>218-37</page-range><publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Contexto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Yon]]></surname>
<given-names><![CDATA[J-C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Jacques Offenbach]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Paris, FR ]]></publisher-loc>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Yon]]></surname>
<given-names><![CDATA[J-C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Une histoire du théâtre à Paris: de la révolution à la grande guerre.]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Paris, FR ]]></publisher-loc>
<publisher-name><![CDATA[Ed. Flammarion]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Álbum 13]]></article-title>
<source><![CDATA[O Zuavo]]></source>
<year>1916</year>
<page-range>34</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zumthor]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Performance, recepção, leitura]]></source>
<year>2007</year>
<publisher-loc><![CDATA[São Paulo, SP ]]></publisher-loc>
<publisher-name><![CDATA[Cosac Naify]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
