<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2317-0972</journal-id>
<journal-title><![CDATA[Leitura: Teoria e Prática ]]></journal-title>
<abbrev-journal-title><![CDATA[LTP]]></abbrev-journal-title>
<issn>2317-0972</issn>
<publisher>
<publisher-name><![CDATA[Associação de Leitura do Brasil (ALB)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2317-09722018000100059</article-id>
<article-id pub-id-type="doi">10.5965/0102-387Xv36n72201800072</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Cinema e intensidades: close-up e esgotamento]]></article-title>
<article-title xml:lang="en"><![CDATA[Cinema and intensities: close-up and the exhausted]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Speglich]]></surname>
<given-names><![CDATA[Érica]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Amorim]]></surname>
<given-names><![CDATA[Antonio Carlos Rodrigues de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Estadual de Campinas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Estadual de Campinas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>03</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>03</month>
<year>2018</year>
</pub-date>
<volume>36</volume>
<numero>72</numero>
<fpage>59</fpage>
<lpage>72</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_arttext&amp;pid=S2317-09722018000100059&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_abstract&amp;pid=S2317-09722018000100059&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://educa.fcc.org.br/scielo.php?script=sci_pdf&amp;pid=S2317-09722018000100059&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo:  A partir da produ&#231;&#227;o audiovisual Jamais seque l&#225;grimas sem luvas, buscamos analisar a constru&#231;&#227;o das imagens em si, aceitando o convite de pens&#225;-las em sua capacidade na&#771;o de representar o movimento da realidade ou a realidade do movimento, mas talvez de conjugar, ou ate&#769; conjurar, um outro plano de movimento e sentido, em especial, as formas de movimenta&#231;&#227;o da c&#226;mera de aproxima&#231;&#227;o ou close-ups e suas pot&#234;ncias de constru&#231;&#227;o de um sentido de esgotamento. As quest&#245;es que nos movimentam s&#227;o: por que essas imagens e palavras est&#227;o aqui? Que intensidades e encontros nos provocam? E, nos encontros com as provoca&#231;&#245;es de Gilles Deleuze: o que a leitura dessas imagem ensinam?1 ]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract:  From the audiovisual production Don&#8217;t ever wipe tears without gloves, we have analyzed the construction of the images themselves, accepting the invitation to think the images in their ability not to represent the movement of reality or the reality of the movement but, perhaps, to combine or even conjure another plane of movement ou another plane of senses, in particular, the movements of the camera, like the close-ups and its potency for the construction of a sense of exhaustion. The questions that have driven us are: why are these images and words here? What strengths and meetings do they provoke? And, in the encounter with Deleuze&#8217;s ideas: what do the readings of these images teach us?]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="pt"><![CDATA[Close-Up]]></kwd>
<kwd lng="pt"><![CDATA[Esgotamento]]></kwd>
<kwd lng="pt"><![CDATA[Imagens]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[Close-Up]]></kwd>
<kwd lng="en"><![CDATA[Exhaustion]]></kwd>
<kwd lng="en"><![CDATA[Images]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[AMORIM]]></surname>
<given-names><![CDATA[Antonio Carlos Rodrigues]]></given-names>
</name>
</person-group>
<article-title xml:lang="en"><![CDATA[Imagens para Nilda Alves; Nilda Alves entre imagens.]]></article-title>
<source><![CDATA[Revista Teias]]></source>
<year></year>
<volume>13</volume>
<numero>29</numero><numero>esp</numero>
<issue>29</issue><issue>esp</issue>
<page-range>47-59</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
