Resumo

SPEGLICH, Érica  e  AMORIM, Antonio Carlos Rodrigues de. Cinema and intensities: close-up and the exhausted. LTP [online]. 2018, vol.36, n.72, pp.59-72. ISSN 2317-0972.  https://doi.org/10.5965/0102-387Xv36n72201800072.

From the audiovisual production Don’t ever wipe tears without gloves, we have analyzed the construction of the images themselves, accepting the invitation to think the images in their ability not to represent the movement of reality or the reality of the movement but, perhaps, to combine or even conjure another plane of movement ou another plane of senses, in particular, the movements of the camera, like the close-ups and its potency for the construction of a sense of exhaustion. The questions that have driven us are: why are these images and words here? What strengths and meetings do they provoke? And, in the encounter with Deleuze’s ideas: what do the readings of these images teach us?

Palavras-chave : Cinema; Close-Up; Exhaustion; Images.

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